Le Grand Macabre (II) 
Waiting at the Columbus beginning of the interesting version desorquestrada Grand Macabre by Ligeti in Columbus, Paula, my 16 year old daughter, who accompanies me, ask me what year is the opera. The reason: in the first pages of the program, where one finds an overview of the context of the work and the characteristics of their staging, set paths editorial producer of the work and the director of Columbus clarifying the conflicts which the work could not be released in Argentina, etc. "As the poster of the highway," Paula tells me. As if anyone really cares, I think.
Waiting at the Columbus beginning of the interesting version desorquestrada Grand Macabre by Ligeti in Columbus, Paula, my 16 year old daughter, who accompanies me, ask me what year is the opera. The reason: in the first pages of the program, where one finds an overview of the context of the work and the characteristics of their staging, set paths editorial producer of the work and the director of Columbus clarifying the conflicts which the work could not be released in Argentina, etc. "As the poster of the highway," Paula tells me. As if anyone really cares, I think. 
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